Lesson 5: Research Male readers usually prefer realism. Women are more likely to suspend disbelief. So depending on your target audience, it's important to get the details right. If it's incorrect, it can bring the discerning reader out of the story. Try experiencing the settings yourself. Taking it in with all your senses may trigger …
Continue reading "Masterclass Notes: James Patterson – Part 4 – Drafting"
Lesson 4: Plot Story is about revealing character and causality (i.e., when one event leads to the next, which leads to the next and so on and so forth until the inevitable end).“Try to write every chapter as if it’s the first chapter of the book - try to write every chapter as if it’s …
Continue reading "Masterclass Notes: James Patterson – Part 3 – Plotting"
Part one of this series can be found here. It's important to note that the points below are a combination of what was viewed & the insights it stirred. Lesson 3: Raw Ideas Patterson doesn’t write realism, he writes whatever interests or excites him. His stories are usually the opposite of what you would expect. …
Continue reading "Masterclass Notes: James Patterson – Part 2 – Ideation"
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